Larisa Kruglova

Download Now Server 1 Download Now Server 3 Download Now Server 2 Cosmetic is a very high-contrast family of sans serif fonts. As its name implies, it has been developed for exquisite applications, like the corporate identity of fashion or beauty product firms, or for cosmetic product packaging design. For centuries, the fashion world has looked to France for inspiration. Cosmetic does not disappoint; it is a ‘French’ typeface, designed by Jean-Baptiste Morizot. Aside from its general elegance, the most gallic part of Cosmetic is its lowercase ‘g’, whose form calls back to some early 19th century Didot typefaces. Each font includes a more standard-looking ‘g’ as a stylistic alternate, as well as a narrower ‘f’ that may be automatically substituted into the text via a Contextual Alternates OpenType feature, to help it avoid colliding with certain le

Download Now Server 1 Download Now Server 3 Download Now Server 2 Sunkids is a bold connected script font inspired by the spirit of sports and the Olympic Games. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Sunkids comes with uppercase, lowercase, numerals, accents (Multilingual characters), punctuations and so many variations on each character include OpenType alternates, PUA encoded and common ligatures. Download Sunkids Font Family From Wacaksara co

Download Now Server 1 Download Now Server 3 Download Now Server 2 This typeface is inspired by the powerful political and social posters by Paul Peter Piech, a tireless artist and printer. Questioned about his endless energy and focus on work, he said "I don't want to sit around and be silent". Pieches is a linocut-looking font heavily loaded with interlocks, including vertical pairs of letters. There are alternates also, and not quite a few: four glyphs for each letter so countless expressive possibilities are open. Graphical elements are also included, for added wilderness. This is a loud-speaking font for those who don't want to be silent. Come on, let’s shout! Download Pieches Font Family From PintassilgoPrints

Download Now Server 1 Download Now Server 3 Download Now Server 2 I started Rainmaker Script by hand sketching a huge amount of letters to find the right tone. After having enough I picked the characters that I liked and begun composing a font out of them. With this method I ended up with the Rainmaker Script - an elegant signature style connected script with natural variation in the rhythm. Rainmaker Script is great for branding, headlines and packaging. It’s equipped with (automatic) Contextual Alternates that keep the flow natural and variable. There’s also Swash, Stylistic and Titling Alternates, and even more alternates can be found for some characters from the Glyph Palette. From the Glyph Palette you’ll also find a handful of ending swooshes and ornamental strokes that can be combined with the font. All the extras in Rainmaker Script ar

Download Now Server 1 Download Now Server 3 Download Now Server 2 Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times. Download S&S Baldwins Font Family From Spencer & Sons Co.

Download Now Server 1 Download Now Server 3 Download Now Server 2 Passenger Sans is a large family designed for editorial projects. You can build great design systems using just its fonts, or you could combine them with two related ITF families: Passenger Serif and Passenger Display. Passenger Sans’s letterforms have compact proportions; their apertures are small. In the upright fonts, all strokes end at horizontal or vertical angles. Long passages of text set in the typeface are comfortable to read. Passenger Sans’s fonts have are proportionally-spaced lining figures as the default numerals, but with OpenType features, oldstyle figures and tabular figures are also available. In the upright fonts, the ‘a’ and the ‘g’ are double-storied, while in the italics they’re single-storied – the ‘opposite’ version is always available as an OpenType alternate

Download Now Server 1 Download Now Server 3 Download Now Server 2 Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase