Skip to main content

Download Bookseller Bk Fonts Family From Cyanotype

Download Bookseller Bk Fonts Family From Cyanotype
Download Bookseller Bk Fonts Family From Cyanotype Download Bookseller Bk Fonts Family From CyanotypeDownload Bookseller Bk Fonts Family From Cyanotype



Bookseller, a reinterpretation of a typeface for books in different optical sizes. Bookseller Bk (Book) is the first one of the family to be released. Caption, Subhead & Title sizes are now in development.


Bookseller Bk includes small caps, old style figures, lining figures, fractions, Greek & Cyrillic, everything in 3 different optical widths. You can save some lines with Reduced weight or add a few more with Ample weight. All of them with italics, bold width and bold italics.


This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era.


Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika.



Download Bookseller Bk Fonts Family From CyanotypeDownload NowView Gallery


Popular posts from this blog

[eolcl] Download Rig Sans fonts from Jamie Clarke Type

Download Now Server 1 Download Now Server 3 Download Now Server 2 Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans ’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript Rig Sans

Download Maille Fonts Family From The Paper Town

Download Maille Fonts Family From The Paper Town Maille is a bold display font powered by OpenType, featuring contextual alternates, beautiful ligatures and stylistic sets with just a hint of retro feel. Maille comes with a set of  720+ glyphs and can cover a wide range of projects from branding to advertising, stationery, headers, quotes and so much more. OpenType features include stylistic alternates with lovely swashes, initial and terminal forms and contextual alternates to enhance your text and create beautiful designs. It also includes 139+ standard and discretionary ligatures with multilingual support. The OpenType features can be easily accessed by using an OpenType capable software such as Adobe Illustrator, Photoshop or InDesign. Maille supports multilingual characters for western, central and south-east European languages. Download Maille Fonts Family From The Paper Town Download Now View Gallery

Download Schotis Text Font Family From Huy!Fonts

Download Now Server 1 Download Now Server 3 Download Now Server 2 Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th c...