Download Jeko Fonts Family From EllenLuff

Download Now
Server 1 Download Now
Server 2 Download Now
Server 3

Jeko is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has a distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework. It's bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa’s matching italics sloped at a lively 11º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Jeko is a re-designed form of the Aventa Typeface.

Each font contains just over 570 glyphs with full Western, Central, Eastern European and Cyrillic language support.

Download Jeko Fonts Family From EllenLuff

[eolcl] Download Rig Sans fonts from Jamie Clarke Type

Download Now Server 1 Download Now Server 3 Download Now Server 2 Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans ’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript Rig Sans

Download Maille Fonts Family From The Paper Town

Download Maille Fonts Family From The Paper Town Maille is a bold display font powered by OpenType, featuring contextual alternates, beautiful ligatures and stylistic sets with just a hint of retro feel. Maille comes with a set of 720+ glyphs and can cover a wide range of projects from branding to advertising, stationery, headers, quotes and so much more. OpenType features include stylistic alternates with lovely swashes, initial and terminal forms and contextual alternates to enhance your text and create beautiful designs. It also includes 139+ standard and discretionary ligatures with multilingual support. The OpenType features can be easily accessed by using an OpenType capable software such as Adobe Illustrator, Photoshop or InDesign. Maille supports multilingual characters for western, central and south-east European languages. Download Maille Fonts Family From The Paper Town Download Now View Gallery

Download Schotis Text Font Family From Huy!Fonts

Download Now Server 1 Download Now Server 3 Download Now Server 2 Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th c...

Larisa Kruglova

Search This Blog