Skip to main content

[edpvf] Download Mustica Pro fonts from Alifinart Studio

Mustica Pro


Mustica Pro is a clean and geometric sans serif font that has a number of OpenType features and supports Latin, Cyrillic and Greek languages.

The word of Mustica has the meaning of a crown, even for Asians this word not only a "crown". But also, Mustica has the meaning of brave, clever or wise.

In this regard, the Mustica Pro font was carefully crafted with optimal effort, to make it the most popular modern sans serif.

Mustica Pro has many advantages apart fairly extensive language support. The important features are case sensitive, ligatures, discretionary ligatures, proportional figures, tabular figures, oldstyle figures, proportional oldstyle, fraction, numerator, denominator, superscript (scientific superior), inferior, fractions, alignment colon and others.

With features that the Mustica Pro font has, it is hoped that this font will be the best professional choice.

Moreover, the complete family package includes weight variation from hairline to black.

For this reason, Mustica Pro is perfect to serve as the mainstay font for various design and commercial projects.

Get the Mustica Pro font now…


Alifinart Studio

alifinart@gmail.com




Mustica Pro


Labels:

Popular posts from this blog

Download FF Kaytek Sans Fonts Family From FontFont

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kaytek™ Sans is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design.  This blend of sturdiness and quirkiness means it’s just as relevant for information-heavy projects, such as annual reports, as it is in more expressive environments. Although first and foremost designed for text, Kaytek Sans’ details shine through in its heavier weights and larger sizes, meaning it also has display potential.  Every style of the typeface takes up exactly the same amount of space, thanks to the way Radek Łukasiewicz created the design. ...
Read more

Download Syphon Fonts Family From Indian Type Foundry

Download Now Server 1 Download Now Server 3 Download Now Server 2 Syphon is a family of sans serif fonts designed in the neo-grotesk style. It also includes a little kick, separating it from other typefaces in that genre: its diagonal letters feature stark contrast. The diagonals that are typically written with thin strokes in classic serif typefaces maintain thin strokes in Syphon as well, even in the family’s lightest weights. Speaking of weight, Syphon features ten font styles spread across five weights; these range from Thin through Bold. Every weight has both an upright font and an italic on offer. The italic fonts in Syphon are designed in the ‘oblique’ style. The fonts feature a tall x-height. Ascenders rise slightly above the tops of the capital letters, and the the numerals are slightly shorter than the uppercase letters’ height. Lines of text in Sypho...
Read more

Download Schotis Text Font Family From Huy!Fonts

Download Now Server 1 Download Now Server 3 Download Now Server 2 Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th c...
Read more